Crystalline Pyramids, Burnt Churches: Christelle Oyiri’s Berlin Diptych
Valeurs Refuge: Natacha Donzé’s Cycles of Love, Decay, and Digital Afterimages
One Of Us Is Real And It’s Not You: Supermetal Bosch & Evil Biscuit
Poets, Gamblers, Fools — Jon Rafman & Parker Ito stage a Post-Internet revenant at Lubov
Dummodo me ames: Philipp Timischl’s Algorithmic Liturgy
Jenna Kaës's AURARIUM: Memory, Matter, and the Sacred Void
Under the Eye of Heaven: Helga Vockenhuber’s Corona Gloriae at the Pantheon
Monoliths of Faith: Justus Dahinden’s Kung-Tung Church
Josefine Rauch’s Temple Road and the Quiet Cartography of Belief
Højvangen Church and the Architecture of Secular Grace
Sacred Profanities: FANATICS II by Julian-Jakob Kneer
Sweet World: Jeff Koons and Travis Ficarra
Yuka Hirac: Between Death and Digital
Han Kjøbenhavn S/S 26: Suburban Armor for the End Times
Inner Nature: Female Pentimento's Digital Theology of Transformation
Who's Your Daddy? Arvida Byström's Orphaned AI and the Death of Digital Intimacy
Wolfgang Tillmans Rethinks Photography and the Future at Centre Pompidou
ÖTZA, UNINTERRUPTED by Levi van Gelder
The Call: Holly Herndon, Mat Dryhurst, and the Ritual of AI
Hauntologies of the Forgotten: Ethna Rose O’Regan’s AFTER MAGDALENE
Inside Harley Weir’s Garden of Memory and Mutation
Stine Deja’s GRAVE MATTERS and the Digital Afterlife
Myth, Memory, and the Street: Theodoros Gennitsakis’ ΧΑΟΣ
Echoes in the Void: Alexander Gronsky’s 'Less Than One'
Nadia Lee Cohen and Martin Parr Reimagine Julie Bullard
Tobias Spichtig's Taxi zur Kunst: A Painting Is a Taxi Is a Joke Is a Portal
Roosenberg Abbey by Dom Hans van der Laan
Joanna Kuchta: From Tumblr Muse to Digital Mystic
Jon Rafman: Proof of Concept